Watching "The Good, The Bad and the Ugly" for the umpteenth time with my cousin, I was struck yet again by the amazing out-of-tune guitar bit when Tuco discovers the cemetery, and the wedding of that cyclical little guitar line and the swirling, out of focus imagery of hundreds of grave markers blurring past the running guy. An amazing sequence, and the slackness of the strings and the clear out-of-tuneness really made the scene stick out, especially as the piano comes in with the same line as if to tigthen both the focus and frustration of Tuco in his task. All of those Leone westerns are scored like operas and get better and better on repeated viewings.
The other morning on the PATH, I watched a young gentleman dressed to the
nines fall asleep and drool a thin thread of saliva onto his maroon
tie. Viscous and suspended, it shook with the train and created
intricate patterns of spittle on the front of his tie. When he
awoke, he noticed the puddle of drool, which he tried to wipe up
without realizing that the strand of spit was still attached to his
mouth.
I also saw a fully grown man wearing, and using, those wheel-sneakers kids like to roll around on.
At this weekend's Wired NEXT festival, some guy was showing off high-heeled shoes with electronics and an LCD monitor in the heel. We overheard this exchange:
Kind of Ugly Girl with grating nasal voice: Hey, those are great. You should contract PONY about marketing those.
Nervous exhibitor: Well, we're already in talks with Nike.
Girl: I'm sure they wouldn't mind
exhibitor: Well, they're competitors. I mean they sell sneakers too
Girl: Ohhhh, you thought I meant Pony the shoe company! No, P.O.N.Y. Prostitutes of New York! Let me give you my friend's card. I know I'm not supposed to, but here!
exhibitor (uncomfortable): Oh, thanks.
Ornette Coleman's new album is superb.